try { society.democracy();
    } catch ( FinancialFailure e ) {
         youth.charge(NO_FUTURE);
         workers.charge(ALL_AS_POSSIBLE);
         pensioner.charges(REDUCE_BENEFITS);
         politicians.charge(AVOID_RESPONSABILITY);
         managers.charge(AVOID_RESPONSABILITY);
         banks.charge(AVOID_RESPONSABILITY);
   }

One spontaneous social movement, boosted by Internet social networks, is emerging in Spain as an outcropping of dissatisfaction about how our democracy is handling the current financial failure event (formally The Crisis). After more than a decade of real state bubble fueled buoyant economy, spanish one suddenly crashed bringing reductions in real wages and retirement pays, breakneck unemployment and another welfare cuts.

But beyond its economic bound origin, this movement aims to evolve into a debugger process in order to release a new version of democracy founded in a bubble-proof long term sustainable economy, low rates of corruption, direct citizen political participation based on Internet and other advanced features. These challenges are not unique to the spanish society but are shared with Europe an even the whole world.

Many accuse the protest of lacking concrete proposals, tagging it as a tantrum without continuity. Opposite it must be seen as strength. Concrete proposals unlike the generic guidelines surely will divide its members and supporters. Fragmentation will give the establishment a chance to assimilate the movement with merely some touches of makeup. The key of success lies in its ability to become into a movement able to collect all the disappointment feelings, turning them into a willingness to change. A mass of electoral power must force to the parties to break the status quo mobilizing all its machinery (intellectuals, politicians, unions, journalist, etc.) competing to fill the gap with new, fresh and innovative ideas.

If we do not rewrite some code that rules our democracies, we run the serious risk of walking into future shaped as corporative feudalism as dreamed in the classic cyberpunk nightmares. The goal isn’t to defeat the system but rather deprecate some old code to compile a new major release of our democracy.

If nothing changes an unavoidable upcoming crisis will raise an exception that the system can’t operate properly causing a Kernel Panic error (Blue Screen of Death for Windows users) and an unrecoverable failure disruption.

Harvey Fineberg: Are we ready for neo-evolution?

Medical ethicist Harvey Fineberg shows us three paths forward for the ever-evolving human species: to stop evolving completely, to evolve naturally -- or to control the next steps of human evolution, using genetic modification, to make ourselves smarter, faster, better.

FREE...May WIRED for IPad and Tablet.

Now available ...FREE...May issue of WIRED (US edition) for IPad and Tablet.

Finally!!...I am so happy, I'm wired (paper) subscriber for years, but I still did not downloaded for the ipad (I don´t feel like pay twice)...That´s why I have watched many videos but so far not I didn´t have the opportunity to interact in my ipad.


Wired now offers us FREE full download of the May magazine  free at this link for IPAD and this one for Tablet.

Enjoy:)

Small car. Big TV spot

From time to time, advertising surprise us with a splendor that is close to art. Undoubtedly, the visually explosive TV Spot created by the ad agency Bartle Bogle Hegarty is one of the automakers coolest campaigns of the year. It´s a pity that is too Short....



The Audi A1. Small car. Big on Audi.

The Beauty and The Beast

Brendan I. Koerner (brendan_koerner[at]wired.com) wrote in Wired Magazine an article title "The Trouble With Humanoid Droids". The article is really cool and show as how humans behave with robots. In this article Victoria Groom, a robotics researcher at Stanford University says “The humanoid form is such a powerful social cue, If you see this humanoid shape, you’re going to respond to it like it’s a person.” That´s why Today’s military robots are ugly little buggers. Because when there’s the potential for violence, though, let’s stick with ugly robots.

In the other hand we have a beauty call Sam who is kind of dummy and doesn´t even looks very human but he shows a big smile. Sam is a creation of Kacie Kinzer who owns a master degree from the Interactive Telecommunications Program at NYU. Kacie Kincer has made a project called Tweenbots. He define "the Tweenbots as a cardboard robots that travel at a constant speed in a straight line, and are equipped with a flag that asks for people to "aim" them in the right direction to reach a destination in the city. The Tweenbots are placed in urban public space and are dependent on the strangers they meet to help them reach their goal. The Tweenbots have been traversing New York City on various "missions" for the past year a half; and they have always arrived at their goal without incident. Assisted only by the empathy of strangers, the Tweenbots reveal the spontaneous, playful, and kind aspects latent in our everyday interactions."

Watch out what happens :)

What is Post-scarcity economy? 

From Wikipedia ():Post scarcity or post-scarcity describes a hypothetical form of economy or society, often explored in science fiction, in which things such as goods, services and information are free, or practically free. This would be due to an abundance of fundamental resources (matter, energy and intelligence), in conjunction with sophisticated automated systems capable of converting raw materials into finished goods, allowing manufacturing to be as easy as duplicating software.

Read more about Post-scarcity at: http://www.pdfernhout.net/post-scarcity-princeton.html

3D printing and Post-scarcity economy? Watch this video



 About the video: It was made in support of Lauren Britton-Smedley's proposal to create a pilot FabLab at the Fayetteville Free Library. This is Lauren's final project for the "Innovation in Public Libraries" class taught by Meg Backus and Thomas Gokey at Syracuse University's iSchool. In this class we look at avant-garde art from the past 60 years (social sculpture, relational aesthetics, institutional critique, interventionist practice, hacker/maker/DIY culture) and use it as a way to rethink what the library of the 21st century could be. We remain committed to the essence of a public library as a genuine commons, as a university of the people, as a place where the knowledge of past generations is preserved for present and future research, in short: as a democracy machine. 
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